‘Lost In Space’ at 25: How this big-budget sci-fi reboot in 1997 steered wildly off course

Danger, Will Robinson! Danger! Geeks of a certain age and lovers of classic sci-fi might recognize that insistent robotic warning as originating from one of the most seminal science fiction adventure TV shows of the 1960s named “Lost in Space.”

Created by disaster master Irwin Allen, “Lost In Space” grew from a concept that’s essentially the “Swiss Family Robinson In Outer Space.” Following a sabotage that sent the crew’s ship spinning out of control in the cosmos, the story becomes a wholesome tale of the Robinson family and their companion service robot aboard the Jupiter 2 colony spaceship in 1997 trying to find an Earth-like planet in the Alpha Centauri system.

Prior to liftoff, a scheming psychologist named Dr. Zachary Smith reprogrammed the mission’s B-9 robot to destroy the ship and crew. When he’s accidentally trapped inside upon launch, his added weight and the robot’s rampage cause the craft to veer into an asteroid field which prematurely switches on the hyperdrive.

This cascade of malfunctions begins their interstellar survival journey when the crew crash lands on the planet Priplanus before settling into regular encounters on strange worlds and meeting cheesy aliens (I see you, Carrot Man!) in a standard “planet of the week” formula towards later seasons. With theme music composed by the great John Williams, Allen’s campy “Lost in Space” series ran for 83 episodes over the course of three seasons on the CBS Network from 1965-1968.

Three decades after going off the air, the first big screen film adaptation of “Lost in Space” (opens in new tab) came 25 years ago when New Line Cinema released its clumsy $80 million spectacle on April 3, 1998. Directed by British filmmaker Steven Hopkins (“The Ghost and the Darkness,” “Predator 2”) and starring William Hurt, Mimi Rogers, Matt LeBlanc, Gary Oldman, Heather Graham, Lacey Chabert, Jack Johnson and Jared Harris, “Lost in Space” totally misses the mark around every turn.

Casting for this family-friendly film is an odd mix of ‘90s-era actors and a pair of unknown kids that feels strangely out of place aboard the wandering Jupiter 2 spaceship. It was not exactly successful at the American box office, pulling in only $69 million by the end of its state-wide theatrical run.

There are several fun callbacks to the original series, like actor Dick Tufeld returning to voice the revamped version of the B-9 robot, and a terribly-rendered CGI monkey-lizard alien as a nod to the rabbit-eared chimp named Debbie in the ’60s show. Many of the original “Lost in Space” cast members do make surprise cameos as well, including June Lockhart, Angela Cartwright, Marta Kristen, and Mark Goddard.

But by far the most grating character is Lacey Chabert’s bratty teenager Penny Robinson, who delivers lines in a hellaciously-annoying cartoon-pitched voice akin to steel talons scraped across a pebbled chalkboard. Her hyperactive antics and endless “Penny Vision” blog recordings make for a repellant performance that would have been better played with a scaled-back measure of naiveté or wit.

The plot follows roughly the same trajectory as the ’60s series with the Robinson family off on a colony-seeking trek and this time encountering a derelict craft, nimbly paying tribute to its earlier (and better) sibling, but the translation falters when the original show’s refreshing campiness falls flat in this mediocre ’90s makeover.

Disjointed storyline intrusions include a neglectful father-nerdy son relationship, watered down “Save the Planet” themes, domestic histrionics, space spiders, and tired time travel nonsense. All these added accoutrements to what was a simple family odyssey drag this promising reboot into a predictable, boring narrative black hole reliant upon an overabundance of questionable CGI and tonal inconsistency.

While the first half of the film shows promise on their journey to Alpha Prime, it eventually degrades into bombastic blandness and corny cliche one-liners deliberately rushed into a patched-together screenplay by Oscar-winning screenwriter Akiva Goldsman (“A Beautiful Mind,” “Batman and Robin”). Sadly, even William Hurt and Mimi Rogers seem lost in a cloud of cringe-inducing dialogue.

Gary Oldman, fresh off his gig as the villainous Zorg in director Luc Besson’s “The Fifth Element,” does slip into the duplicitous shoes of Dr. Smith to chew the scenery a bit, replacing the legendary thespian Jonathan Harris, and it seems like he’s having a swell time in this glossy glorified B-movie … until he’s turned into a crazy hybrid spider monster in the chaotic finale. Jared Harris does his very best as the older Will.